As I recount my latest experience at Alo, I grapple with the final mark: would I still consider them a 9 or a “top pick”? There were dishes that were incredible, but then some that missed the mark. The tasting menu ($225 per person) was off to a shaky start when the canapés arrived.

We’re instructed to eat the four bites in a particular order. The first, an oyster with compressed cantaloupe and Iberico ham oil had a fishy essence without an acidic element (like the traditional mignonette or lemon) to help cut through the strong taste. It also seemed off that it wasn’t ice cold for something that should be served uber fresh. The first bite was a bust.

Slowly, the redemption started with the beautifully presented uni tart, which was made even creamier with a thick crème fraiche on the bottom. While this wasn’t mind-blowing, it was at least not repulsive.

After the fishy oyster I had doubts about the mackerel tart, but this was unfounded as the meaty fish was very clean tasting and well balanced with bright pops of the daintiest tomatoes and fruit. Indeed, there was an ocean-like essence from the caviar, but it wasn’t overpowering.

The canapés ended with a foie gras and strawberry jelly tart that created a sweet and savoury element. This was surprisingly good and wonderfully rich.

It’s unclear if Alo is pandering to Michelin inspectors as the procession of Japanese dishes just seem out of place at a French restaurant. Sure, I can understand if they want to throw in one dish that’s has a Japanese influence, but to feature a handful was just too much.

Moreover, some dishes just can’t live up to what you’d be served during an omakase meal. Chef Patrick Kriss should drop the madai course, a sea bream paired with chili oil, caviar, and kumquat. Like the oyster, it was fishy and warm. Give me this fish cool with freshly grated wasabi and soy sauce any day.

The kinmedai was better, the red snapper was at least cold and refreshing with the oh so finely julienned radish in the centre. The various oils complimented the fish nicely and this was an improvement over the other sashimi course. If Alo must have a sashimi course (why would it), one is enough.

Having a soft spot for chawanmushi I wouldn’t be opposed to this remaining on the menu. The actual steamed egg was hot and silky, but then enhanced with lovely French and Western elements: smooth foie gras tofu cubes, fragrant truffle paste, crunchy radish, sweet corn, and crispy chicken skin. All this amongst a pool of reduced capon broth. What an incredible dish!

At this point, the meal started having an upward trajectory. The chanterelle mushrooms were so meaty and cooked to the point of perfection – no longer raw and spongy but not too wilted either. Paired with spinach, artichoke, and a luscious whipped egg sauce, it was so delicious that I wanted to lick the bowl.

The seared scallop and roasted mussel continued the ascent with its superb execution. The scallop was seared beautifully and super sweet and the mussel so tender ending with a lovely clean finish that it’s unlike any mussel I’ve ever had. Paired with a savoury foam and parsley sauce, these were the perfect seasoning not overshadowing the seafood’s natural flavours.

At the beginning, we were asked if we’d like to substitute the rice dish for foie gras (supplemental $40). Why anyone would want to miss out on the Koshihikari rice with Dungeness crab is beyond me. Koshihikari is a short grain rice that’s cultivated to be used in many dishes, including risotto so that it has that creaminess but also a more distinct grain that Arborio. The risotto was cheesy and savoury with bits of snap pea added to give it a crunchy pop of freshness that was so good that I longed for more. To elevate the dish, thin slices of wagyu beef topped the dish, so that as it melts the fat seeps into the rice. Do not replace this baby.

A boneless lamb chop follows seared to perfection and having a lovely charbroil taste. As you have a cube of the meat with the garnishes, each bite tastes so different – whether it’s the peel tomato, fried shallots, or patty pan squash. Somewhere down the line you sample the the olive stuffed with sausage, which is good but a bit heavy, so I’d recommend saving it for the last bite.

Alas, the meal bell curves with the last savoury dish being mediocre. The striploin was fine, slightly over cooked, but at least having a nice grilled essence. Yet, it’s the miso sauce that really threw me off and added a weird funk to the steak. Perhaps if we upgraded the dry aged angus to the Japanese A5 wagyu (supplemental $90) it would pair better, but as it stood the sauce was a bust. Moreover, the deep-fried eggplant tempura garnish was too seedy and bitter.

The only saving grace was the pain au lait that gets paired with the striploin. It’s just as fluffy and fragrant as I remembered. I absolutely love Alo’s bread, so much so that they even gave us an order to go, what a sweet and unexpected gesture.

Normally, sorbet palette cleansers can be really tart and pungent. Alo tones it down with their take on strawberries and cream where the layer of cream at the bottom helps balance out the frozen Italian wine with strawberries and the champagne foam.

Dessert progresses with a tasty meringue with peach mousse and vanilla cake. Garnished with a verbena lemon sauce the dessert is a nice balance of sweet and sour. After so many dishes, I’m glad it’s a lighter finish that still has a sweetness that satisfies.

It wouldn’t be a French meal without a box of petit fours, presented in a lovely tree box. I love that they made a mini lemon meringue to pay homage to Aloette downstairs but it’s not nearly as good as the sister restaurant as meringue is so small that the bite was fairly sour. The passion fruit caramel was too sticky and the chocolate caramel too sweet. It was the simple strawberry gelee that was just right, enhanced by the fruit’s natural flavours and a great consistency. I felt like Goldilocks going through the petit fours trying to find the perfect bite.

Save room for their canale as it’s a lovely combination of crispy caramelized shell and fluffy moist interior. Consequently, it also paired perfectly with a cappuccino ($6).

The roller coaster food aside, Alo does excel at service. There’s a lovely chill we-don’t-take-ourselves-too-seriously vibe with the 90s rap playing and the entire staff sporting New Balance kicks. Everyone we encountered was so friendly, professional, and knowledgeable that we knew we were in good hands.

MSSM isn’t your traditional omakase restaurant. As you ascend the steps from Yorkville, the energy level of the restaurant matches the neighbourhood. At least three people yell out shari as you enter, which means ‘sushi rice’ in Japanese. There’s music pumping and in lieu of the typical wooden sushi bar the dining room contains white graffitied walls and pink neon lights. We aren’t in Tokyo anymore Toto.

Also, unlike typical omakase spots, the sushi bar is HUGE. It can easily accommodate twenty people with five chef stations laid out so that each are preparing food for about four customers. Despite the sheer number of patrons, there’s something intimate about being nestled in a group around one chef, in an instant he put me at ease with questions and jokes… conversations are encouraged here.

What also makes them different is the price point - $98 per person instead of the $200+ that you’ll usually pay. Chef Masaki Saito realized not everyone could afford (or get a reservation) to his two Michelin star restaurant, hence opened MSSM as a means of allowing more people to get to experience the art of omakase.

Traditions be damned, MSSM starts off their menu with a hand roll. Filled with finely chopped tuna and pickled radish wrapped with shiso leaf and freshly toasted nori, it’s an interesting and hearty way to start off.  

The following bonito with apple onion sauce was too pungent for my liking with so many leeks, ginger, and chives. Perhaps if it’s accompanied with something creamy, like a sesame sauce, it would help balance out the dish.

MSSM also uses a sense of showmanship, presenting trays of the seafood that would form the ten pieces we were about to sample before slicing and preparing. Once ready, a bucket of rice is whisked out and periodically changed to ensure it’s at the optimal temperature. Indeed, the rice is nice and warm but could use more vinegar.

To start, the stripe bass (shima Suzuki), a clean and light tasting fish that is often used to warm up the palette. It’s immediately followed by salmon (zuke sake) that’s been marinated for a couple of hours in a “mother sauce” that gets cooked, added to, and reused… not unlike a sourdough starter. What a flavourful piece topped with a finely chopped green onion paste.

MSSM’s scallop (hotate) tastes clean especially when finished with drop of lime juice. I love that it’s not overly gummy so that you could chew the seafood and take in the scallop’s sweetness. A sprinkle of sea salt may bring out the flavours even more.

A hand torch crisps up the skin of the sea bream (madai) while also bringing out the fish’s oils and flavours. With a light dusting of salt, a bit of chili radish paste, and a drop of lime, it’s a nice bite that gives out heat and a slight smokiness.

In fact, I really appreciated the garnishes used on the nigiri. The bit of chopped yuzu peel on the blue fin tuna (akami) gave the fish a freshness that awoken the otherwise meaty fish. Our chef explains that they chop the garnishes by hand as they found using a food processor adds a bitterness to the items. Yes, that is one of the many tasks that keeps them busy before dinner service.

What really intrigued me was the chawanmushi sushi. I’m a big fan of the steamed egg and couldn’t understand how they were going to morph it into sushi. What first arrives is the typical dish – steam egg steamed with bonito and kelp stock. It didn’t look like much, and we’re told to just have a taste of it – good but not overly exciting.

The chef than takes it back and adds sushi rice, Dungeness crab sauce, yuzu peel paste, and wasabi before re-presenting the chawanmushi in front of us. Once it’s all well mixed together, it becomes this incredible eggy seafood risotto that is one of my favourite bites of the dinner.

After the high comes a small low, a spot prawn (botan ebi) with lime. While I’m glad it wasn’t too gummy, I still don’t like the texture of the raw shrimp … not one of my favourite bites.

It’s unclear whether torching the bluefin tuna belly (toro) makes it better. Sure, I liked that the fish oils were starting to liquify, but I found the piece a tad chewy – not necessarily from the fish, but perhaps from the spring onion inside. While still a nice piece, it just didn’t the pow of flavour that normally comes from a fatty tuna.

Give me dashimaki instead of tamago any day. At MSSM, the egg omelette is warm and savory with a moistness that keeps the layers light and fluffy. All hail the dashimaki!

The hand torch makes one last appearance with the sea eel (anago). After being liberally heated, some lime and yuzu peel is added to the slightly sweet, delicate, and tender eel. What a wonderful final bite.

So, what makes MSSM’s omakase experience different, other than the price? It certainly relies on volume. The five chefs are preparing the omakase at a decent clip and soon after they are done the miso soup arrives. The broth is made with fish bones instead of a strong dashi so there’s a mellowness to the soup. It’s adorned with Japanese chili powder and spring onions, giving it a spicier finish than traditional versions.

Dessert consisted of house made strawberry daifuku. Certainly not as incredible as the version I had at Kappo Sato, but still a good rendition of chewy mochi encapsulating sweet azuki paste and a juicy strawberry.

As a warning, don’t arrive too early for your reservation. As MSSM relies on volume, the seatings are close together and they may not be ready if you show up more than five minutes early. Luckily, Yorkville is a great place to walk around, so we kept ourselves entertained for ten minutes with ease.

Given some of the chefs and staff have worked together at Tachi, there’s a natural ease in the operations despite our opening week visit. I love the comradery and casualness between the staff, which makes us laugh and feel comfortable speaking to the strangers sharing the table around us. After all, it’s not every day you hear the sous chef joke that the chef is her “work husband” instead of curtly replying “yes, chef”.

Not taking themselves seriously and laughs is what MSSM is about. When I asked what the name stood for, our chef cheekily replies - Masaiki Saito Sexy Man. It’s unclear if this is real or he’s joking, but after seeing their sake pot, I thought there could be some truth to the name. And yes, call me a child, but if you serve me sake in that vessel with two round cups, you must expect a photo like this. Take it easy and just enjoy the shari!