If you’ve ever frequented Danforth in the 1990s, you might have eaten at Myth. Flash forward to 2021 and the restaurant was revived with a beautiful facelift on King West by Matty Tsoumaris, the son of the family. The warm gold, wood, and cream tones made me feel I could be lying in a chaise lounger by an indoor pool. The restaurant is buzzy but in a calm way. At least, until the fire dancers performed, and the energy really picked up.

As a Toronto Life Insider member, I was there to check out Myth with a tasting menu ($125 before taxes and gratuities) offering several courses complete with wine pairings and an espresso martini. If I was feeling tired, that jolt of vodka and caffeine provided the start I needed to the meal. Ground pistachios are dusted onto the espresso martini ($20) for an interesting texture against the smooth foam, it’s different but I’m not sure if I prefer it. Note: regular menu prices are included in the post for informational purposes. Serving sizes will likely differ from what is pictured given the tasting menu format.

Beginning with an off-menu item, Matty explains it’s customary for Greek people to offer guests (even if they are strangers) something to eat when they enter a home as there’s a belief that Gods may be visiting the Earth… and you would never want to not feed a God! Our divine offering was a creamy compressed roe in a buttery tart shell. It tasted of the sea, hinting at the Mykonos inspired menu to come.

We then moved into the actual tasting menu, starting with a bite of soy-laced beef tartare served in a cone. I wasn’t expecting the amuse bouche to be sweet, but it gave the tartare a teriyaki feel that worked, especially when paired with the crispy cone that is reminiscent of eating ice cream.

Myth’s mezze platter ($35) consists of a collection of dishes, and I love that it showcases some lesser-known dips. Of course, there’s the popular hummus, which was thick and filling, but the mezze also featured a silky smooth taramasalata that has an umami saltiness to it from the cured roe. Warning to vegetarians, if I hadn’t been told there was fish in the dip, I would have never known. The roe adds a brininess to the dip without any fishiness.

If you enjoy feta, try the tirokafteri dip that uses the cheese as the base but has a hit of peppers that creates an unexpected spiciness. It goes great with the soft warm pita or smeared onto the crudite given it had such a flavourful salty kick.

While a bit cheesy (pun intended), the cheer of “opa!” before setting the ouzo on fire is what makes saganaki ($22) such a staple. The kefalograviera cheese was oh so gooey, salty, and lightened with just a hint of lemon. I just wished there was more than one piece of toasted bread to go with it.

It’s not everyday you find raw fish at a Greek restaurant. Myth uses slices of yellowtail hamachi in the magiatiko ($28) adorned with an olive tapenade that was too overpowering. If anything, the dollop of creamy taramasalata (the same fish roe dip featured in the mezze) was more than salty enough. Still, it was beautifully plated and a great light starter.

The arancini was good… less creamy than an Italian version, but also didn’t leave me feeling as full. It was smartly paired with a feta mousse, which added a touch of sauciness to the risotto but didn’t detract from the crunchy crust.

Surprisingly, I really enjoyed the beetroot carpaccio, so much so that I’d prefer it to the beef counterpart. The sweet thinly slice beets were enhanced with tangy yogurt and a yellow beet mousse. Because there were so many creamy ingredients, the roasted pecans worked nicely to add a contrasting texture. Sadly, the dish isn’t on their regular menu, which really should be included as it’s a hit.

Another off-menu item was the youvetsi, a bed of plump fragrant orzo topped with an extremely tender beef cheek. The meat could use more seasoning, but the pasta was delicious and well flavoured. If anything, the olive tapenade that was too harsh for the hamachi would go nicely on the beef here.

While the lavraki ($65) was cooked adequately, it didn’t look very appetizing. I’d recommend the chef keeping the skin on and crisping it up to give the fillet a more aesthetically pleasing structure and texture. As fish goes, it tasted fresh and the main was a nice lighter change after the beef cheek. I just found the lemon in the thyme oil heavy handed in the stewed wild horta, dandelion greens that tastes like spinach, so it was a bit harsh against the neutral fish.

In retrospect, the lemon thyme oil would have gone nicely with the roasted potatoes ($16) as these were dense and would have benefited from a bright element. Too bad the sides were served after all the mains so there wasn’t really anything to go with them. If you’re a fan of roasted Brussel sprouts, the broccolini ($23) is a side with the same feel - the crispy roasted greens topped with hot pepper sauce, lemon oil, and cheese.  

For the tasting menu, Myth chose to feature a rizogalo as dessert. While the rice pudding was decent, it was too dense, so it felt like you’d eating a clump of rice versus a creamy saucy pudding. It also needed to be sweeter to satisfy. As it stands, the dish is more brunch than dessert.

Despite being opened for over two years, Myth is still going through some growing pains. Even though service was friendly, the wine pairings and sides just weren’t keeping up with the food coming out. Maybe because it’s such a big restaurant, but the various stations weren’t communicating to make the meal a fulsome experience. Who knows, maybe with some time the restaurant will eventually become a feast for the Gods. 

Tucked in the Japanese Cultural Centre, walking into Kaiseki Yu-Zen Hashimoto transports you to another country. Given their limited seating, their doors may be locked, so give the posted number a call and in no time, someone will greet you at the entrance and lead you through the orange torii gates into the dining room.

There’s so much to take in that the first ten minutes is like sensory overload. Take a deep breath and get ready for the meal; Hashimoto only serves three tables an evening, there’s plenty of time to explore after dinner. So, settle into your private dining room and decompress for the meal to come.   

Hashimoto describes kaiseki as “much of an art form as a style of food preparation” and this is certainly accurate. Each dish was beautiful and like a gift waiting to be unwrapped; a sense of excitement settled over me as I lifted the dome from many of the courses.

The eight-course meal ($350 per person) began with an onjyaku-zen (amuse bouche) consisting of three hearty soups designed to warm-up the stomach. Hashimoto’s saikyo miso soup wasn’t overly salty but rather rich in umami made with white miso, topped with a braised carrot, and a pea-sized amount of mustard to add an expected spice against the broth. Meanwhile, the nutty flavour that burst through the cube of goma (sesame) tofu was incredible, almost bordering bitter if it weren’t balanced out by the thick savoury soup. If anything, I could have done without wasabi on the tofu as the sesame taste was already so pungent.

Of all three bowls, my favourite was also the simplest and what Hashimoto calls “seasoned rice”. It’s like a thick congee studded with cubes of sweet soft squash and topped with slivers of salty dried kelp (?). The bowl was lovely and comforting and had us wanting another taste of it to end the meal.

Paper thin slices of tennen madai (line caught sea bream) was featured in the sashimi course, so delicate that it’s like eating flower petals made of fish. Around the plate were three agar jellies flavoured with ginger, carrot, and seaweed, as well as a washer-sized daikon filled with thinly julienned pickled vegetables. It’s a much lighter dish following the onjyaku-zen and really showcases the knife skills of Chef Masaki Hashimoto.

Diners are asked to refrain from wearing strong scents to ensure they’re able to enjoy the sensory experience of the food. The yuzu aroma that escapes from the owan-mono was so refreshing, although at first whiff, it leaves me wondering if a citrusy soup is something I’d enjoy.

Hashimoto didn’t disappoint, balancing the yuzu in a savoury consommé and pairing it with a host of rich flavours: a silky chawanmushi (egg custard), a thick chewy rice cake, and a soft braised daikon. The slice of amadai (tile fish) was cooked perfectly and I loved that the fish’s scales were deep fried to form a crunchy garnish on top.

The yaki-mono (grilled course) featured a host of ingredients that were in-season during the autumn in Japan. Generally, I only have persimmons raw, yet somehow the fruit tastes so good baked, releasing more of its sweet flavours with chewy pieces of mochi included to soak up some of its juices. The fruit was so inventive that the grilled shima-aji (stripe jack) almost seemed secondary; I found the fish a tad overcooked and in need of a stronger glaze to make it stand out.

To finish the yaki-mono a host of seasonal produce were used as palette cleansers including crisp lotus root, a gooseberry topped with egg yolk (surprisingly, it works), mountain yam, and a lovely mountain peach that’s almost tastes like a cross between a plum and strawberry.

The Spice Girl’s song, When Two Becomes One, is what comes to mind when I think of the taki-awase course. The dish begins with ingredients being stewed separately – in this case, cubes of octopus, vegetables, squash, and daikon – and are then steam together to blend the flavours and aromas without causing the ingredients to become overcooked. After simmering for four hours, the octopus was so tender that if our server didn’t tell us what the protein was, I would have thought we were eating brisket.

Following the softer steamed dish was the shii-zakana (signature course), which provided a textural contrast with different crispy elements:

• Medallions of the most incredible chicken teriyaki encapsulating a soft walnut and wrapped in a thin crispy skin. I could munch on rounds of these in lieu of chicken wings.
• A ball of flavourful mashed Japanese potatoes filled with wagyu beef cubes and rolled into crispy rice grains creating something that rivals arancini with its crunchy and soft elements. Of course, in this case, instead of the traditional ground beef and peas, it’s filled with rich wagyu. Oh boy.
• Even the garnish of popped wheat was edible; a bit fibrous when I took a bite of the entire stalk, but once we started picking out the individual grains from the husk, became almost like a nutty popcorn.

Guilt washed over me as I took my first bite of Chef Hashimoto’s hand carved radish crane… it must have taken so much time to carve its delicate neck and legs! It was the last thing consumed so that I could appreciate its beauty before finally dipping it into the carrot sauce and devouring the refreshing décor.

The last savoury course brought a bowl of sticky rice topped with slices of A5 Hyogo wagyu, the prized beef from the Kobe region. While it was delicious, I do wish the beef was left thicker and cut into cubes so that more of the fatty rich flavours would be locked in and flow onto the tongue.

A bowl of noodles and soup is always a delight. In this case, a cha (tea) soba served in a fragrant dashi broth that was good to the last drop. What a lovely way to end and cleanse the palette before dessert.

Like many Japanese desserts, the mizu-mono was a fruit plate prominently featuring the expensive Shizuoka musk melon. A sizeable melon is upwards of $200 a fruit and commands the premium as supposedly they are raised to only have one melon per plant to ensure all the flavours are concentrated into one fruit and there being less of a chance of the melon having blemishes.

Indeed, every time I’ve had a slice it’s the sweetest melon ever and tastes like a cross between cantaloupe and honeydew. What also makes it different is the texture: when you have a normal melon it tends to be very soft and sweet in the centre, then gets hard and flavourless as you approach the find. The musk melon tends to have a more uniform sweetness and tenderness throughout.

It’s strange when I’m excited to try fruit, at Hashimoto they also provided a white strawberry encapsulated in a light jelly and topped with condensed milk. Truthfully, it just tasted like a lighter Ontario strawberry that you can purchase at a farmer’s market when it’s in season… I don’t think I would pay the ~$40 for a pint. It was my first experience having a shine muscat, which was like a sweeter and juicier globe grape without seeds. Set in gelatin and adorned with a gold leaf it’s crazy to think that a bunch of these grapes can be upwards of $100.

Aside from the fruit, we were treated to a leaf of uber-rich matcha pudding and a dollop of sweet azuki beans topped with a crispy candy. My recommendation is that Chef Hashimoto switches out the rock sugar with pop rocks to really give the diners a surprise.

With an extensive sake menu, if you’re not familiar with the Japanese spirit, they have a “sommelier” to help you choose one based on your preferences for other alcohol. Letting her know that we like a dry crisp wine, she recommended the Okunomatsu Junmai Ginjo Genshu Arabashiri that was offered in a half bottle on weekends ($55), which does have a less sweet finish.

For those who are abstaining from alcohol, they also offer pots of fragrant tea ($9 a person) or water served from a kimono clad Swell bottle ($7 a person).

Incredible surroundings and beautiful unique dishes aside, what makes dining at Kaiseki Yu-Zen Hashimoto an unforgettable experience is their service. With only three tables nightly, we were in good hands – just like in Japan, the hospitality rises to another level.

It evens ends warmly with our server offering to take a picture of us, which they email to us later that evening along with pictures of the dishes sampled. It’s a simple and sweet gesture that sets the restaurant apart, from the moment you enter and after you return home, dining at Kaiseki Yu-Zen Hashimoto is a true sensory experience. 

If you could get any vanity license plate for your car, what would it say? The owner of Sushi Bar would use “Dr Sushi” as indicated by the plates hung on the wall, it’s a whimsical touch I hadn’t noticed in the past, along with pictures of family and friends that provide a glimpse into their private lives.

The wall is also where they post their specials including black cod sushi and lobster maki. The black cod sushi ($10 for 2 pieces) is an interesting take on the fish, the nigiri torched tableside so the fish’s fat begins to melt forming slight layers in the cod. Being a denser fish, it does need a fair amount of flavour and while the sweet soy was a start, it needed something else for interest. After the experience, I’m still on the fence of whether a nigiri is the best use of this prized fish.

My preference is still for the baked miso marinated black cod ($15) where the fish is hot and flaky and infused with a slightly sweet umami flavour. The palm-sized portion is just enough for sharing amongst two people.

Sushi Bar’s other a-la-carte nigiri is just as good with large pieces of barbeque eel on the unagi and a thick slice of ruby red tuna on the maguro (both $7 for 2 pieces).

Displaying the lobster on top of the lobster roll ($18) was a great idea as it becomes the first thing you taste, and diners can see the full tail in its glory. However, it was already overcooked and blowtorching it at the table made it even more dry and chewy. Ideally, they should undercook it to begin, and the torching will help heat and finish off the doneness at the table. It’s a dish with promise and the thin cucumber lantern a great idea for a beautiful garnish.

Starting every meal is a bowl of rice crackers that arrives with drinks, a pre-pandemic tradition that I’m glad has been kept, providing something to snack on as we peruse the menu. A new addition is an amuse bouche of seafood, squid, and seaweed salads, enough for a bite each to enjoy while the rest of the meal arrives.

As the temperature drops, the complimentary starter is sometimes a rich hot bowl of miso soup with cubes of tofu and seaweed flakes. A welcomed respite after a cool walk to the restaurant.

With a variety of maki available, the black dragon ($17) was an interesting take on the fancier dynamite roll. In this case, sweet-glazed barbeque eel, tempura bits, fish roe, and green onion wrapped around the shrimp tempura. It’s a colourful creation offering a variety of textures and flavours and it’s ideal that the pieces aren’t overly large so that they are enjoyed in one bite.

The red dragon ($17) is just as good, substituting the barbeque eel for salmon instead. If you’re in the mood for shrimp tempura ($8 for 3 pieces), I’d recommend having it in maki-form as the fried shrimp by itself is underwhelming, the batter too thick and the temperature tepid at best.

Upsold to the tuna tartare roll ($10), we should have stuck with the tried-and-true spicy tuna ($8). In the tartare, the tuna too pulverized and the filling including dreaded tempura bits that causes the roll to become gummy. It also needs more heat to be considered spicy tuna.

Despite their name, Sushi Bar also makes a variety of non-sushi dishes. You get a hefty portion of hamachi kama ($19) with the full portion, a meaty cut of the fish’s jaw. A thicker cut, there were parts of the fish that could have been done a touch less but being a bone-in piece, it can be hard to gauge. Nevertheless, the skin was crispy and the fish hot and delicious. Served with a radish ponzu soy sauce, a bit more salt sprinkled onto the fish would help it pop.

Since our past visits, my husband and I noticed an improvement at Sushi Bar: the maki seemingly contains less rice and are cut to the perfect bite-sized pieces and more emphasis is placed on plating the izakaya-type dishes.

There’s also a host of regulars, stopping by the open kitchen to speak to everyone before departing the restaurant. This creates a cozy neighbourhood-feel to Sushi Bar that matches the photos adorning the walls. As Mr. Rogers sang, “A beautiful day for a neighbour. Would you be mine? Could you be mine?”

Overall mark - 7 out of 10

• Anything under 5 - I really disliked and will never go back
• 6 - decent restaurant but I likely won't return
• 7 - decent restaurant and I will likely return
• 8 - great restaurant that I'd be happy to recommend
• 9 - fantastic restaurant that I would love to visit regularly and highly recommend
• 10 - absolute perfection!