At first glance, dining at Aburi Hana reminded me of Tokyo. The restaurant’s entrance is tucked amongst an alleyway on Yorkville and situated downstairs in the basement. It was Tokyo all over again – locating the establishment after arriving at the address.

Yet, after checking in with the hostess, it felt like arriving at a spa. We were five minutes early, so they sat us in a small lounge playing tranquil music with a floral scent permeating the air. When we finally sat down at the “chef’s counter”, the L shaped dining area allowed us to see the kitchen but felt removed from the action. It’s the only chef’s counter where the chef didn’t even acknowledge the diners – not as a whole and definitely not intimately.

And so, we settle in for the 8-course tasting menu ($300 per person) and 6-drink pairing ($150 per person) as different staff come and went to present items. Everyone was polite and friendly but also seemed to be regurgitating a well rehearsed script. It’s felt oddly formal even as I tried cracking jokes with them.

Oh well, I’m here for the food. The meal starts with the lobster usuimame a piece of barely cooked lobster wrapped around a delicate fish paste that’s well… fishy. A swig of water helps dissipate the bad taste in my mouth as does drinking the silky sweet pea infused dashi at the bottom of the bowl. I even admire the cute bird carved from an heirloom carrot before popping it into my mouth and enjoying the sweetness.

The meal improves as the otoro and caviar sushi monaka is presented. The crispy mochi wafer is filled with a layer of well vinegared sushi rice and topped with tuna belly, pickled daikon, creamy dollops of uni (?), and of hefty teaspoon of caviar. Each bite is deliciously fresh and flavourful.

It’s then a glass of hot sake is poured for the lamb yuba, a cube of four-hour braised lamb belly topped with silky layers of yuba mixed with Japanese mustard. It’s a dish that goes well with the theme of the “early spring” menu: a reminder that sometimes in the spring, a hit of winter comes back, and you’ll want something hearty.

I’ve never liked flowers, but the maguro flower is one I’d love to get. The rose petals, made from two type of lean tuna, sit on a bed of grated radish. The tender aged tuna goes wonderfully with the thickened daikon soy and scallion oil that surrounds the plate. I can see why this is considered a timeless dish, beautiful to look at and a treat to eat.

Every restaurant seems to be doing the flash fried scale-on amadai. Don’t get me wrong, I love the dish and am not complaining, but it’s such a fan favourite that it’s gracing everyone’s menu. Aburi Hana creates an amadai cauliflower, where the tilefish is charbroiled then flash fried. We’re told that if we want a spoon to enjoy the dashi and cauliflower sauce at the end to just ask. I got it right at the beginning and was glad that I could have a spoon of the savoury sauce with every taste of the fish.

My heart went a flutter seeing the kamo akamiso containing two of my favourite ingredients – roasted duck and maitake mushroom – on one plate. While the fowl is a touch chewy, it’s nonetheless flavourful from being smoked and the skin having lovely crispiness. You really need a strong protein to hold up against the deep rich miso sauce, that gives the dish a savoury taste that’s balanced off by a sweet burst from the honey pearls. My only complaint is the wine pairing, which tasted off and was much too light for the dish.

Aburi Hana ends with what they think is their WOW dish, the wagyu uni. Essentially, a roll of sushi rice topped with tons of uni, wagyu, and black truffle shavings, I can see it’s an expensive dish. But expensive ingredients don’t always make for a delicious dish. Firstly, the seared on “just one side” wagyu needed blowtorching before serving as cold fatty beef is not for me. When something is so fat, I find it best served hot so the blubber melts. After all, bacon is also fat and does anyone want to eat raw bacon?

We’re then told it’s been cut into two to help us eat the roll. If that’s the case, it’d be even better cut into four for more manageable bites. Ever try to shove a Twinkie sized item wrapped with chewy meat and wispy shavings in your mouth? It isn’t pretty or easy. Alas, the dish was a lot of flash, but no wow.

If anything, what I enjoyed most was the shot glass of condensed Kyoto miso soup included as the chaser. The thick umami broth was tasty and special.

How the chocolate Japanese ginger dessert came to be Aburi Hana’s most “timeless” dessert is beyond me. Ultimately, it’s a fluffy flourless chocolate cake topped with ginger crème anglaise and cubes of poached pear. I like to think it’s Chef Nakagawa’s way of leaning into showcasing local Canadian ingredients but then am told that the chocolate comes from Madagascar. It was a weird ending for a kaiseki meal.

I much preferred the yuzu macaron and caramel tuille petit fours that ended the dinner. Certainly, more French than Japanese, but at least better than something I could have ordered at Moxies.   

As much as I’ve pointed out the flaws of some dishes, there were also some incredible ones in the meal (I would love to eat the monaka and maguro flower again). And while there was little chef interaction at the “Chef’s counter”, Aburi Hana offers attentive service – my water glass was never more than two inches empty; chopsticks were replaced if there’s even a drop of sauce left; and they even replaced the toothpick dish for my Manhattan just because it wasn’t shiny enough.

Tucked away on a quiet street in Yorkville, just across from the Toronto Reference Library, is Kiro Sushi. The storefront doesn’t look like much, but through word-of-mouth, people have found the restaurant as it’s packed to the gills during my Friday visit. Even the walk-in closet sized “party room” in the back is occupied, seating an additional three tables.

I can see why patrons are drawn to the restaurant. It’s a cozy place that seems more at home in a suburb than amongst the Yorkville set. Their menu’s extensive and prices are very reasonable, especially given its location.

Five large prawns arrive with the shrimp tempura ($12), freshly fried so it’s wonderfully hot and crispy. While it could have benefited from being drained a bit longer and the dipping sauce less watered down, it’s a great way to get the meal started shared amongst a table.

I was astounded by the size of the hamachi kama ($9) given the bargain price point. Sadly, you get what you pay for as the generally tender fish jowl was overcooked leaving the dish too dry and a bit chewy.

Always go with a restaurant’s namesake menu item as the Kiro roll ($15) was my favourite bite that evening. The rice was pressed to a cardboard thinness, the California roll base (imitation crab, avocado, and cucumber) topped with salmon, scallop, and tobiko before having a light torching.

Try as I might, I could not get the entire bite into my mouth in one go. There was a great number of toppings and the julienned cucumbers so crispy and fresh that it brightened up the entire maki. If only the spicy mayo had some heat, this would have been perfect.

If you’re not a fan of oily aburi, you’ll love Kiro’s ebi pressed sushi ($16). The shrimp topping didn’t have an ounce of mayo instead relying on tobiko, scallions, and furikaki (a rice topper) to give it texture and flavour. Of course, that dryness doesn’t lend itself to capturing that smokiness and caramelized colour you’d expect from a torched sushi but does create a lighter bite.

Despite having plenty of leftovers, I just scratched the surface of Kiro’s offerings. Their donburi bowls were substantial and generously topped, the sushi dinner a great mix of fan favourites, and even the neighbouring bowl of udon had me second guessing my initial order. It’s a restaurant that’ll bring people who are in the know back, to try that one dish they couldn’t get to on their last visit.

There’s been significant press for LSL (Leroy, Saito and Le Squer) so my post isn’t going to re-hash the pedigree of the restaurant with three Michelin chefs at it’s helm. If you’re interested in learning more about these aspects, read Toronto Life, which wrote a very in-depth article.

Even before stepping into the restaurant, I received a text from Matthieu, their maître d’, inquiring about celebrations or food aversions. It’s reminiscent of an Eleven Madison experience, except Matthieu’s message was punctuated with an emoticon so there was a polished but friendly-casual quality to the interaction.

The experience continued at the restaurant, each team member introducing themselves by name as they welcomed, took our jackets, and led us to our seats. The introductions and casual banter put us at east to strike up conversations… the once quiet dining room was soon buzzing by the end of the first course.

Their 9-course tasting menu ($680 per person) started with a trio of small bites that we’re told to eat from the front to back:

• Beginning with a ginger and citrus Campari foam that burst in the mouth. It’s not overpowering but did wake up the palette and cleanse it for the second.
• The hairy crab tart’s briny flavour screamed of ocean (in a good way) so the crustacean was highlighted in the bite. We go from sour to salty.
• Lastly, a sweet bite with a generous portion of foie gras sandwiched between crunchy coffee crisps and topped with passionfruit jelly. Imagine having a really decadent sweet-and-salty candy bar.

LSL doesn’t keep you waiting for their signature dish: a peeled Amela tomato stuffed with finely diced tuna and topped with Kristal caviar. It’s something Chef Didier Leroy created for a dinner with Yo-Yo Ma that made him cry. It looks deceptively simple and features expensive ingredients (an $8 tomato for one) that gets diners excited. Having tried the caviar by itself, the ingredient solo would have been very pungent but once combined with the fruit and fish became amazingly fresh and light.

That natural sweetness continues with the Hokkaido scallop crudo, a dish that sounds Japanese but has a unique European flair. The scallop was meaty and fresh, topped with top-shelf uni flown in from Japan. It makes for a lusciously creamy bite. Yet, what surprised me most were the crunchy bits of dehydrated scallop reduction that gave the dish crunch and an umami touch.

My favourite plate was the crispy scale amadai where the fish was flash fried, so the meat becomes flaky, and the scales create a crunchy topping. It arrived with a warm ball of brioche that was perfect for wiping up every drop of the delicious beurre blanc. Good to the last drop.

The duo of squab was a close second place, the breast cooked beautifully with its tender meat and crispy skin. Sitting on a layer of rich pâté and crispy toast, the fowl becomes a sweet and delicate contrast. I don’t know how I feel about the pâté, it felt like too much. I feel the squab would work better on its own or with something more neutral like fish liver mousse and crispy potato.

I’m glad they brought out moist napkins and welcomed us to eat the squab leg with our hands. The savoury crispy bite was a star, and if I were at home, I’d probably continue nibbling on the bone to get at all the flavours. And not a drop of the citrus red wine jus was wasted given it’s paired with a heavenly crispy baguette.

How did the chefs prepare the rack for the seared lamb? The lollipop was so big that it must have been carefully carved to ensure all the adjacent lamb stayed on one bone. Regardless, LSL knows how to prepare meat well, the lamb was tender, juicy, and perfectly seasoned. I liked that the chefs showed restraint with the salt and allowed the sauces to flavour - mustard, black garlic puree, and a jalapeno sauce. I thoroughly enjoyed the accompanying crunchy relish and had every bite of it.

Some of the refreshing relish would pair nicely with the goat cheese tarte. Other diners were raving about the pastry – all the melted cheese, a buttery tart shell, and the Périgord black truffle shavings didn’t hurt.  Indeed, it’s a rich finish (likely a stand-in for the cheese course), but I felt it lacked something. After all, it’s just cheese. Perhaps a larger portion of salad, a creamy element within the tarte, or maybe more accompaniments. Something more than just melted cheese.

A trilogy of grapefruit didn’t sound like the most interesting dessert but was a great finish… especially following the decadent tarte. Layers of citrusy sugar crisps sandwich grapefruit and other sorbets to create a refreshing, not overly sweet, but satisfying ending. LSL marinates the grapefruit to remove bitter elements, and you’re left with a great winter dessert providing a boost of vitamin C.

The mignardises arrive with glass of tea that’s tempered perfectly so it doesn’t scald but is still hot and flavourful. It’s paired with a just-out-of-the-oven madeleine that’s oh so airy. And after a delicious bite, when you’re disappointed it wasn’t larger, you get a second one – Halleluiah! The raspberry and chocolate tarte was crispy and well balanced, but it’s the last jammy kumquat bite that’s so surprising. A stream of sunshine floods the mouth that finishes savoury. Is summer around the corner?

We each left with a little box of treats: nutty almond cake bites and more madeleines. Great for a late-night snack, a sweet for breakfast, or a nibble to accompany an afternoon tea.

All the wine pairings ($360 per person) balanced out the food, never fighting to be the star but complimenting it well. At one point I was falling behind with four glasses in front of me but was assured not to rush. Saving a taste for the other dishes isn’t a bad idea as it’s always nice to contrast different flavours.

And if you have any questions about the food, Chef Didier Leroy is on hand the entire night taking time to chat one-on-one. He’s like a homeowner welcoming a guest to the table: building a rapport, while doing a huge push to explain why LSL is Michelin worthy. It’s as if there are Michelin inspectors sitting amongst the diners and we’re going to get the hard sell.

At times, it became awkward. It’s one thing to be proud of the team, the luxe ingredients being imported, or even highlight the special touches like always having Didier at the helm and the handwritten affirmations in the bathroom. But, once we get to comparing LSL to other Michelin starred restaurants and always referencing the rating agency, it becomes too much.

Personally, I have no doubt LSL will be presented a star, if not two, in 2025. I would just encourage the team to let it happen naturally and focus on what they’re already doing well: they’re such a welcoming restaurant that makes me want to return; and the food was inventive but approachable, respectful to the ingredients themselves. The star(s) will come, no campaigning required.

In a neighbourhood filled with sushi eateries, it’s difficult for Issmi Japanese Restaurant to stand out. They offer a menu filled with variety, affordable prices, decent food, and friendly service; yet, in the Lawrence Village area this isn’t enough to be busy. I guess you can add ‘ease of securing a table without a reservation’ to the benefits of dining at Issmi.

The meal’s highlight was the rice paper roll ($20), a great option for those watching their carb intake as salad greens fill in for sushi rice. Stuffed with crab salad, spicy tuna, and shrimp tempura it’s a surprisingly hearty and creates enough flavours that it didn’t taste too healthy.

Pair the maki with an avocado salad ($9) and miso soup ($3) and you’ve got yourself a complete meal. I’m glad Issmi doesn’t skimp on the avocado, there’s plenty of it fanned across the simple green salad tossed with Issmi’s sesame and soy house dressing. And while the miso soup wasn’t overly exciting, it’s also not an expensive add on, arriving nice and hot.

There are also several sushi dishes that don’t break the bank. The Matsu sushi ($25) contains a well stuffed dynamite roll that rival most in the neighbourhood and 10 pieces of nigiri. The nigiri was where Issmi falters a bit: the rice not seasoned enough and some of the fish felt a touch dry. Still, these are just slight nuances that could easily be overlooked.

In another neighbourhood, Issmi would likely be a strong contender for becoming a local go-to. Unfortunately, they’re operating in a competitive area where there are some exceptional choices. In a pinch, when my favourites are closed or fully reserved, I’ll remember Issmi. For a backup, they’re a great safe option.   

Omakase is like the ramen craze from a decade ago. Every season I hear about another Japanese restaurant offering a chef’s menu – some at $100 or less, while others in the hundreds of dollars. It’s difficult to decipher which are good, the options seem endless.

I’ve heard of Sushi Yugen and their $98 main counter omakase and determined it’s a place that maybe I’d visit. It wasn’t until a friend who indulges in a lot of fine dining mentioned the restaurant, giving their chef’s table menu ($275/person) a high recommendation that I finally booked a reservation. And I was not disappointed.

The higher price point gets you into a more intimate room where Master Chef Kyohei Igarashi personally prepares the meal. Igarashi spent 15 years in Japan, learning the craft at high-end sushi and kaiseki places, before finally settling into a Michelin starred restaurant where he spent another seven years.

Indeed, the omakase menu showcases his background, starting off with six kaiseki dishes before the nine pieces of nigiri are presented. He comes out shyly, his accomplishments touted by a translator, and immediately launches into squaring off fish filets so the slices end up all evenly presented amongst the diners.

Our winter menu begins with a hot bowl of broth. Japanese turnip is cooked and then likely pulverized so it melts throughout the soup, causing it to thicken a bit. I would have thought the monk fish liver and leeks would be strong, but somehow the addition of yuzu mellows the ingredients and ties everything together.

Sushi Yugen serves a menu worthy of a Scandinavian spa as it goes from hot to a cold plunge. A bowl of fluke arrives in a beautiful ice dome doused in a special soy-based sauce and covered with black truffle shavings. The delicate white fish allows the truffle’s flavours to be prominently featured. The combination of meaty fish and the fungi’s earthiness is an interesting flavour profile that somehow works.

A bowl of soumen arrives adorn with edible flowers and thinly julienned Japanese ginger, sitting in a three-fish broth (bonito, tuna, sardine). Normally, the bowl of noodles has a deep savoury taste. Sushi Yugen’s still has that element, but the floral and ginger finish gives the silky noodles a bright burst… almost like that pop of basil on a gooey cheesy pizza.

Steaming sauce is brought to the table and quickly ladled into individual bowls to cook the seabream table side and create Yugen’s version of shabu shabu. While the rich soy-based broth was too tad salty to finish, it helped flavour the fish, which was just cooked through remaining flaky and tender. Make sure to use some of the yuzu chili paste, it’s such a great condiment that I want to use on everything.

Being Chinese, I’ve had my fair share of abalone, but having it fresh was a completely different experience. Chef Igarashi trims off the gills and liver, using them to create a thick rich sauce. Meanwhile, the meaty part of the sea creature was simply sliced and more tender and sweeter than my past experiences. We’re advised to leave some of the sauce in the bowl, at which point, Igarashi places some rice so we can mix it into the rich sauce and finish it off.

The uni rice bowl was like an over-the-top seafood risotto, the uni sushi rice adorned with chopped fatty tuna, ringed with briny fish roe, and then topped with caviar. Looking at it, you’d think it would be so rich and decadent, but surprisingly the vinegar in the rice cuts through it to make it lighter than you’d expect, while still having a powerful taste of the sea (in a good way) and a lovely creaminess.

After the last flavourful kaiseki dish, the nigiri begins, but not before a big pile of chopped ginger helps cleanse the palette. Cut into smaller pieces, I enjoyed the little bits that helped provide a refresher without being too much.

The nigiri starts with a piece of filefish (kawahagi) adorned with its liver. It’s meaty and creamy, but also lightened with the heavily vinegared rice that’s made with a combination of three vinegars.

I had the cleanest tasting scallop at Sushi Yugen, it’s sweet without an ounce of gumminess. When pressed, Chef Kyohei Igarashi did explain the three-step process he uses to ensure it’s so silky and fresh. I promised I wouldn’t give away his trade secrets, so you’ll have to ask him yourself.

The saba was flavourful with a pop of freshness, despite not being heavily loaded with green onion and ginger. Left neutral it was still delicious.

A trio of tuna arrives afterwards with the lean akami being marinated so it was flavourful, especially brushed with an extra bit of sauce.

Indeed, the fattier tunas were decadent. I was surprised by how soft and buttery the chutoro was already, to a level that made the otoro seem not as different.

A tray of hot charcoal arrives for the next piece. They are used to sear the top of the nodoguro saikyozuke, a black throat seaperch to crisp up the skin and emit an intoxicating aroma that reminds me of Japanese barbeque. The fish almost has a unagi (eel) consistency, delicate and soft, and very flavourful as it was already marinated in miso, but with a fresher finish.

The anago or conger eel was tasty, but it’s hard to follow the delicious seaperch. Nonetheless, the eel was hot and meaty and has that slight sweetness that’s synonymous with eel without being too sugary.

Yugen’s tamago was cake-like in consistency with an almost savoury finish. I only wish the piece was larger and served warm.

Our meal ends with another bowl of piping hot soup, this time the traditional miso consisting of a rich broth with finely chopped seaweed.

The dessert leans towards kaiseki preparations again. Instead of the typical musk melon, ice cream, or mochi, Yugen presents a beautifully prepared fruit jelly topped with white bean paste dusted with matcha powder and adorned with a salted Sakura flower. What a beautiful finish.

Summing up Igarashi’s menu, I’m impressed by how well he balances rich ingredients to create a dish that still has a freshness to it… I left satisfied but not feeling heavy. Armed with our remaining champagne, we’re invited to their “patio” in the lobby, where we could finish the drinks without being rushed to leave.