If you haven’t heard about Mhel, it’s a restaurant that sources seasonal ingredients that it then uses in daily changing menus. While this is great for freshness and creativity, it does mean dishes featured in this post may not be available during your visit.

Also, the constantly changing menu causes the kitchen to have limited ability to “perfect” a dish. For example, the yuan yaki ($35) sounded good on paper but didn’t have the taste to match. The thick slice of kanpachi needed more seasoning and something stronger than just a yuzu marinade. Its uneven thickness meant the edges were cooked through while the centre to be raw. Ultimately, I had to leave a piece uneaten given it was gross and gummy.  

After all, the dish wasn’t meant to be eaten raw like the ishidai sashimi ($33), a fish flown in from Nagasaki. In lieu of soy sauce, Mhel created a flavourful seaweed salad providing flavour and a chewy garnish that could be wrapped in the fish to create a delicious bite.

In fairness, there’s many dishes that Mhel gets right. The sogogi ($46) was fantastic, a sizeable slice of Australian wagyu cooked to perfection so that it’s juicy and hot. Brushed with galbi sauce, the beef’s Korean flavours reminded me why it could be eaten with chopsticks. Although, I would have loved for a small slice to be put on top of the sushi rice nugget. It’s what Mhel describes as a perilla ssam, so a piece of meat would make the bite complete.

Mhel’s portion sizes are small. Hence, we followed their advice and opted for the heartiest dish for the evening, the dak gaseumsal ($30) with a bowl of steamed Japanese rice ($5), and side of kimchi ($8).

The dak gaseumsal’s buttery miso sauce was great for pouring over the sticky rice and I loved the accompanying sauteed seasonal greens (garlic scape, Swiss chard, and collard greens). Yet, the chicken breast, while juicy, wasn’t overly exciting… perhaps because it was sous vide versus grilled. At least they were true to their word, this dish was much larger than the rest.

Still, you may want to get a side of the potesala ($15), their version of a potato salad. The shallots added a slight bite to the potatoes and the pickled ramps and peas gave the dish a freshness that helped balance off the otherwise rich dish. Yet, it’s the onsen egg that really made the dish, I wished there was more than a half.

If anything, Mhel ensures you have room for dessert. The purin ($10) was a fantastic crème caramel, one of the best I’ve had in a while. The thickened Sheldon Creek cream was rich but perfectly balanced by a maple syrup glaze that had a toasty taste, much better than your regular caramelized sugar. My husband and I immediately regretted getting one to share.

Mhel’s friendly service really adds to the experience and despite serving an array of small dishes, they were very efficient, and we could easily add on another item. The menu’s also not overly large, so even with two people we could order over half of the items and get a taste for the restaurant. In fact, if you come with three people you should just order the entire thing.

You must give it to Mhel: they could easily create one menu and continue to tweak it to perfection. Instead, the chose to challenge everyone by changing the menu daily. What a great restaurant to have in the neighbourhood where you can visit regularly and find something different each time. 

Have a glance at Toronto’s Michelin list and you’ll find a host of Japanese restaurants earning stars, including Sushi Masaki Saito who claimed the city’s only two-star ranking. Give it a year or two, but I sense the newly opened Kappo Sato will join the list as well.

Like the other contenders, Kappo Sato serves an omakase menu offered at two price points, $260 and $320, the later includes an additional sashimi platter and sake steamed fish. Both courses, while delicious, weren’t the highlight of my meal, so if you have a dainty appetite the $260 option will leave you satisfied.

With sixteen courses, the $320 omakase left me pleasantly full. To start, pieces of skinless fried eggplant that were nice and creamy. Although, it would be even better served warm, especially when topped with cold uni and caviar. Paired with cubes of sweet poached lobster, the “small” seasonal dish was wonderfully decadent, just a taste of the things to come.

More uni followed in the appetizer platter. In this case, the sea urchin mixed with yuba or thin sheets of soy that’s formed in the tofu making process. The two are a good combination, the silkiness of the tofu skin glides across the tongue capturing the flavourful savoury gelee while mixed with the creamy uni. The wasabi adds a spike of spice that’s surprisingly powerful for the miniscule portion of the condiment.

The cool yuba complimented the hot fried tile fish, a bite of meaty whitefish with crunchy deep-fried scales. The fish is cooled down with grated radish and a carefully split snap pea garnishes the dish for colour.

Sato’s sashimi course is very different, the fish adorned with other ingredients rather than leaving the seafood plain. The sea eel was topped with plum paste and tangy sisho flower and the lean 10-day aged tuna with Japanese mountain yam and egg yolk. Some of it works - like the plum paste and sisho flower – adding a refreshing element to the fish, others don’t - like the whipped mountain yam and egg yolk – creating something with the consistency of slime.

The nyumen or soup course features a bowl of dashi filled with silky delicious somen noodles. The slice of sea bream was good, but I found its softness too close to the texture of the noodles and would have liked a protein that had some bite or crunch.

We’re told what makes kappo cooking different is that the chef cooks in front you, rather than preparing ingredients in a behind-the-scenes kitchen and merely assembling dishes at the counter. The tempura course highlights the concept best as each of the three items were individually fried and presented.

Three condiments - lemon, salt, and ponzu – provides flavour to the tempura. Don’t worry, you’ll be given instructions on what to use with each item. We’re told to use the lemon and salt for half of the sweet young swordfish and then the ponzu for the second half. They should be more specific on which side of the fish to use each on as the ponzu would have better masked the slight bitterness of the head, while the lemon and salt would let the freshness of the body and tail portion shine. Sadly, I swapped the two.  

Seasonal vegetables of asparagus and fava beans follow, both just cooked through and paired nicely with the ponzu.  

Yet it’s the finisher that really excites, a meaty raw-in-the-middle scallop wrapped in sisho leaf that’s sweet and fragrant. It does need to be drained longer so the batter remains crispy, and I’d suggest sprinkling the salt on (rather than dipping the scallop into the salt) to avoid having it slide out of the tempura coating.

Kappo Sato sets up the meal with a host of video worthy shots, the first being the broiled smoked dish where a gleaming dome was filled with smoke and the cover removed table side. Despite all the fume, the flavours just singed the fish with a smoky essence, the centre of bonito and tuna still tasted neutral.

We’re told the tuna is a lean variety, but it’s so nicely marbled that it can match any otoro, flooding my mouth with a sweet richness. Crispy arrow root chips are given to help cleanse the palette but could easily make for an addictive tv-side snack.

Like the sashimi, Sato’s sushi were beautiful flavourful bites, the bluefish topped with shallot, scallion, and wasabi with the rice nicely warmed. Personally, I would tone down shallot as it was a tad pungent for the fish, nonetheless it was still tasty.

The saba hand roll was served taco style, the rice and fish sandwiched between sisho and crispy seaweed. Another inventively flavourful dish that’s different from what you’d normally receive. It’d be even better if there was a bit of glaze put onto the mackerel.

Sitting in a sweetened vinegar, the mozuku seaweed was silky and reminded me of fat choi but milder and more delicate. It made for a refreshing palette cleanser before the richer grilled unagi, which was lightly brushed with a sweet and savoury glaze. Slightly crispy around the edges, the freshwater eel went nicely with the sansho pepper leaf and wasabi.

If there was any alcohol used in the sake-steamed red snapper it must have evaporated in the cooking process as there wasn’t much flavour to the fish and napa cabbage. Hence, the dish really relied on the house-made ponzu dipping sauce. I like the concept of the dish, but it could have been pulled out of the oven earlier as the fish was a tad overdone.

Two types of tofu follow, the first featured in the cold dish and made with sesame so it had a rich nutty essence. The addition of Sakura, mushroom, and dried shrimp makes for a fragrant bite, although I did find the dried shrimp a bit overpowering with the tofu.  

The second traditional soy tofu sat under a mound of lightly cooked wagyu in a beef consommé. I normally love wagyu but being poached in broth doesn’t do it justice as everything merely tastes oily. My friend described it best as saying it’s like having a non-crispy bacon soup. Should they want to keep it in slices, rolling the beef around asparagus, enoki, or white chives would have been a better choice.

I kept eyeing the copper domes sitting on cooking elements by our counter. Its contents were finally revealed in our last savoury course as the seafood pot-cooked rice. Just close your eyes and inhale as the cover is lifted as the sweet seafood aroma of cooked crustaceans is so intoxicating.

Cooked with dashi the sticky rice became fluffy but still firm, almost like a drier risotto. Studded with clams, rehydrated shrimp, and fish the rice was already teeming with seafood essence but made even richer with a generous portion of ikura (salmon roe). At Kappo Sato you won’t leave hungry because a second helping of rice is available and offered. This was all washed down with a hot mild miso soup.

Just save room for dessert as all three courses were delicious. Firstly, a slice of musk melon that’s so sweet and refreshing. Its sweetness is contrasted by a glass of hot tea that’s so wonderful to sip on after a filling meal.

All the while, an ice cream machine sits on the counter whirling around and holding the second dessert, a freshly made soymilk ice cream. The cold soft serve was paired with azuki bean paste and a matcha shortbread cookie. While there’s a light sweetness to the dish, we’re given a tiny vessel of brown sugar syrup to add to the soymilk dessert to our liking. Use it, I love how it enhanced the bean and ice cream’s flavours.

To end, a strawberry daifuku that’s a mound of azuki with sweet strawberry pieces topped with a delicate sheet of soft mochi. Savour the single kuromame, a sweet black soybean, topping to daifuku that breaks apart to reveal a smooth beany centre. It’s served with another matcha tea, this time light and frothy so there’s a latte quality to the drink minus the dairy.

Aside from his culinary training, Chef Takeshi Sato achieved other accomplishments including being a sake sommelier and qualified to prepare a Japanese tea ceremony – hence the final two cups of matcha served with dessert. He jokingly says he loves drinking, another common theme that seems to run through the upscale Japanese chefs of Toronto.

Chef Sato leads an all-female kitchen brigade who artfully creates and plates the dishes. Takeshi has decades of cooking experience from working in a Michelin restaurant in Tokyo, helming Toronto’s Zen restaurant, and most recently being the official chef of the Japanese Consulate General in Toronto. Now it’s his turn to be an owner of a restaurant in his name, when will his star come?

If you love tasting menus like I do, Twenty Victoria likely offers one of the most affordable ones in Toronto. Through a prepayment on Tock, the non-refundable six-course meal is set at $175 per person and is inclusive of gratuities (but before taxes) meaning the only thing that needs to be settled at the restaurant are drinks (beverage menu prices also includes gratuities).

That evening’s menu was casually paperclipped onto the drink menu and was rather cryptic, each dish described using two ingredients such as trout & egg. A quick scan of the December offering left me surprised by how seafood forward Twenty Victoria’s winter meal would be, a welcomed change in my books.

But first, a plate of “snacks” arrives, two one bite wonders including a delicate crispy salt cod croquette and a dollop of sturgeon caviar placed on goat cheese and radish. Both worked to wake up the senses and the radish a refreshing and stronger substitute for the traditional blini.  

The first dish, kanpachi and oca root, combines slices of raw fish with a root vegetable that’s described as “a cousin of the potato” and tastes like a starchier jicama. While it looks like sashimi, when the kanpachi is mixed with the crunchy diced oca root, olive oil, citrus, and basil seedlings, the dish tastes more ceviche. It was a vibrant starter that happened to coincide with tropical music being played in the dining room (a mere coincidence), the happy music putting us at ease that it wouldn’t be a stuffy meal.

What seemed like A LOT of sauce arrived with the trout and egg. Yet, the whipped hollandaise-like sauce carried a lightness that didn’t overpower the rich fish and even worked solo with pieces of fallen fish roe. Ultimately, throughout the menu, we found the balance of richness and lightness was what made Twenty Victoria excel – serving a decadent ingredient with something refreshing or at least restrained so that you can continue through the menu without feeling gross.

Pairing chopped walnuts with scallops wouldn’t have been my first choice, but it wasn’t terrible either. The slightly cooked through nuts added a bit of texture against the soft scallops, which were perfectly seared and served with a lovely creamy sauce. In this dish, the raw celery (?) leaves provided a bright element to counteract the buttery condiment.

With the scallops comes their bread course, a magnificent loaf that needs to be sold to go. Hot and crispy, the dark brown crust breaks away to reveal a milky airy centre. It’s their version of Japanese milk bread, which makes complete sense after the explanation as my husband found it resembled a lighter brioche while it tasted like a richer pain au lait for me. Regardless, I only wish I didn’t devour it all as the bread would also go well with the next dish. My advice for you, save a quarter.

Admittedly, I was disappointed to see the ‘lobster’ in the turnip and lobster dish rendered into a sauce, albeit a deliciously rich and silky bisque. It’s that richness that elevates the sweet slender turnip, an ingredient that hardly gets diners excited. Twenty Victoria’s turnip was a great consistency, neither too mushy nor too raw, and when slathered with the lobster sauce and topped with a black truffle does make the root vegetable more palatable.

The lamb was cooked to perfection, and I love that there was a sliver of fat and/or skin on one side that formed a crackling to compliment the tender meat. I wouldn’t have thought to pair lamb with maitake mushrooms and kelp, but both crunchier vegetables went nicely with the delicate tenderloin adding interesting textures in lieu of the traditional mashed or roasted vegetable side dishes.

Prior to dessert, we were asked if we’d be interested in a cheese course, something not listed on the menu. Of course, we obliged, and it was a great way to finish off the wine before diving into a digestif. Large ribbons of Niagara Gold arrived with crisp lavish bread and a slightly sweet quince. Having had this prized local cheese on other occasions, served as a traditional wedge, the ribbons completely changed the cheese’s taste allowing it to cover the tongue and almost melt away. Indeed, cheese please!

The pastry of the carrot pie was a wonderful thickness and consistency, holding its shape but breaking apart easily to mix into the carrot filling. I would have liked the pie to be sweeter, especially since it was paired with tangy unsweetened whipped buffalo cheese and a sea buckthorn syrup. I guess its neutrality helps balance the much sweeter lemon and ricotta cake, a warm moist cake sitting in a light syrup, so the dessert almost feels like a sticky toffee pudding, except with a hint of citrus and not quite as sugary.

Some diners were surprised that Twenty Victoria didn’t make it onto Toronto’s Michelin guide. With their amazing food, it’s certainly a strong contender. I sense that with a couple of small tweaks they could get there … assuming the added stress is something their chefs want, of course.

For example, expanding their tableware selection would help. When someone splurges on champagne ($35) and not a mere sparkling wine, ideally, it’d be served in a flute as opposed to a regular wine goblet.

If I were to get really picky, offering a wider fish knife or a shallow spoon with a dish like the trout and egg, would make it easier for patrons to spoon the sauce and fish roe onto the trout for a more fulsome bite. Yet, it comes back to whether Twenty Victoria even cares. Right now, dining there just seems so carefree, especially when trying to obtain a reservation. Star or no star, it was a shining meal for me. 

Tucked in the Japanese Cultural Centre, walking into Kaiseki Yu-Zen Hashimoto transports you to another country. Given their limited seating, their doors may be locked, so give the posted number a call and in no time, someone will greet you at the entrance and lead you through the orange torii gates into the dining room.

There’s so much to take in that the first ten minutes is like sensory overload. Take a deep breath and get ready for the meal; Hashimoto only serves three tables an evening, there’s plenty of time to explore after dinner. So, settle into your private dining room and decompress for the meal to come.   

Hashimoto describes kaiseki as “much of an art form as a style of food preparation” and this is certainly accurate. Each dish was beautiful and like a gift waiting to be unwrapped; a sense of excitement settled over me as I lifted the dome from many of the courses.

The eight-course meal ($350 per person) began with an onjyaku-zen (amuse bouche) consisting of three hearty soups designed to warm-up the stomach. Hashimoto’s saikyo miso soup wasn’t overly salty but rather rich in umami made with white miso, topped with a braised carrot, and a pea-sized amount of mustard to add an expected spice against the broth. Meanwhile, the nutty flavour that burst through the cube of goma (sesame) tofu was incredible, almost bordering bitter if it weren’t balanced out by the thick savoury soup. If anything, I could have done without wasabi on the tofu as the sesame taste was already so pungent.

Of all three bowls, my favourite was also the simplest and what Hashimoto calls “seasoned rice”. It’s like a thick congee studded with cubes of sweet soft squash and topped with slivers of salty dried kelp (?). The bowl was lovely and comforting and had us wanting another taste of it to end the meal.

Paper thin slices of tennen madai (line caught sea bream) was featured in the sashimi course, so delicate that it’s like eating flower petals made of fish. Around the plate were three agar jellies flavoured with ginger, carrot, and seaweed, as well as a washer-sized daikon filled with thinly julienned pickled vegetables. It’s a much lighter dish following the onjyaku-zen and really showcases the knife skills of Chef Masaki Hashimoto.

Diners are asked to refrain from wearing strong scents to ensure they’re able to enjoy the sensory experience of the food. The yuzu aroma that escapes from the owan-mono was so refreshing, although at first whiff, it leaves me wondering if a citrusy soup is something I’d enjoy.

Hashimoto didn’t disappoint, balancing the yuzu in a savoury consommé and pairing it with a host of rich flavours: a silky chawanmushi (egg custard), a thick chewy rice cake, and a soft braised daikon. The slice of amadai (tile fish) was cooked perfectly and I loved that the fish’s scales were deep fried to form a crunchy garnish on top.

The yaki-mono (grilled course) featured a host of ingredients that were in-season during the autumn in Japan. Generally, I only have persimmons raw, yet somehow the fruit tastes so good baked, releasing more of its sweet flavours with chewy pieces of mochi included to soak up some of its juices. The fruit was so inventive that the grilled shima-aji (stripe jack) almost seemed secondary; I found the fish a tad overcooked and in need of a stronger glaze to make it stand out.

To finish the yaki-mono a host of seasonal produce were used as palette cleansers including crisp lotus root, a gooseberry topped with egg yolk (surprisingly, it works), mountain yam, and a lovely mountain peach that’s almost tastes like a cross between a plum and strawberry.

The Spice Girl’s song, When Two Becomes One, is what comes to mind when I think of the taki-awase course. The dish begins with ingredients being stewed separately – in this case, cubes of octopus, vegetables, squash, and daikon – and are then steam together to blend the flavours and aromas without causing the ingredients to become overcooked. After simmering for four hours, the octopus was so tender that if our server didn’t tell us what the protein was, I would have thought we were eating brisket.

Following the softer steamed dish was the shii-zakana (signature course), which provided a textural contrast with different crispy elements:

• Medallions of the most incredible chicken teriyaki encapsulating a soft walnut and wrapped in a thin crispy skin. I could munch on rounds of these in lieu of chicken wings.
• A ball of flavourful mashed Japanese potatoes filled with wagyu beef cubes and rolled into crispy rice grains creating something that rivals arancini with its crunchy and soft elements. Of course, in this case, instead of the traditional ground beef and peas, it’s filled with rich wagyu. Oh boy.
• Even the garnish of popped wheat was edible; a bit fibrous when I took a bite of the entire stalk, but once we started picking out the individual grains from the husk, became almost like a nutty popcorn.

Guilt washed over me as I took my first bite of Chef Hashimoto’s hand carved radish crane… it must have taken so much time to carve its delicate neck and legs! It was the last thing consumed so that I could appreciate its beauty before finally dipping it into the carrot sauce and devouring the refreshing décor.

The last savoury course brought a bowl of sticky rice topped with slices of A5 Hyogo wagyu, the prized beef from the Kobe region. While it was delicious, I do wish the beef was left thicker and cut into cubes so that more of the fatty rich flavours would be locked in and flow onto the tongue.

A bowl of noodles and soup is always a delight. In this case, a cha (tea) soba served in a fragrant dashi broth that was good to the last drop. What a lovely way to end and cleanse the palette before dessert.

Like many Japanese desserts, the mizu-mono was a fruit plate prominently featuring the expensive Shizuoka musk melon. A sizeable melon is upwards of $200 a fruit and commands the premium as supposedly they are raised to only have one melon per plant to ensure all the flavours are concentrated into one fruit and there being less of a chance of the melon having blemishes.

Indeed, every time I’ve had a slice it’s the sweetest melon ever and tastes like a cross between cantaloupe and honeydew. What also makes it different is the texture: when you have a normal melon it tends to be very soft and sweet in the centre, then gets hard and flavourless as you approach the find. The musk melon tends to have a more uniform sweetness and tenderness throughout.

It’s strange when I’m excited to try fruit, at Hashimoto they also provided a white strawberry encapsulated in a light jelly and topped with condensed milk. Truthfully, it just tasted like a lighter Ontario strawberry that you can purchase at a farmer’s market when it’s in season… I don’t think I would pay the ~$40 for a pint. It was my first experience having a shine muscat, which was like a sweeter and juicier globe grape without seeds. Set in gelatin and adorned with a gold leaf it’s crazy to think that a bunch of these grapes can be upwards of $100.

Aside from the fruit, we were treated to a leaf of uber-rich matcha pudding and a dollop of sweet azuki beans topped with a crispy candy. My recommendation is that Chef Hashimoto switches out the rock sugar with pop rocks to really give the diners a surprise.

With an extensive sake menu, if you’re not familiar with the Japanese spirit, they have a “sommelier” to help you choose one based on your preferences for other alcohol. Letting her know that we like a dry crisp wine, she recommended the Okunomatsu Junmai Ginjo Genshu Arabashiri that was offered in a half bottle on weekends ($55), which does have a less sweet finish.

For those who are abstaining from alcohol, they also offer pots of fragrant tea ($9 a person) or water served from a kimono clad Swell bottle ($7 a person).

Incredible surroundings and beautiful unique dishes aside, what makes dining at Kaiseki Yu-Zen Hashimoto an unforgettable experience is their service. With only three tables nightly, we were in good hands – just like in Japan, the hospitality rises to another level.

It evens ends warmly with our server offering to take a picture of us, which they email to us later that evening along with pictures of the dishes sampled. It’s a simple and sweet gesture that sets the restaurant apart, from the moment you enter and after you return home, dining at Kaiseki Yu-Zen Hashimoto is a true sensory experience.